Dormitory

Director: Nehir Tuna
Dop: Florent Herry

Best Photography, Istanbul Film Festival
Best Direction, Festival internationnal de Saint-Jean de Luz
Grand Jury Prize, Annonay Internationnal Film Festival

Notre vraie nature

Director: Pierre Stine.

Snow and the bear

Director: Selcen Ergun. DoP: Florent Herry. 

Facility: Bando, Istanbul. 

Best Cinematography Award, Bosphorus Film Festival 2022. 

New Directors Award, San Francisco International Film Festival 2023.

...enjoyable thriller enhanced by Florent Herry’s sensitive visual allure.
Filmuforia

The four walls

Director: Bahman Ghobadi DoP: Hossein Jafarian

Chnchik

Director: Aram Shahbazyan DoP: Hayk Kirakosyan

K contraire

Director: Sarah Marx
Dop: Yoann Cart
Facility: TVS
Tool: Da Vinci Resolve

Featuring Sandrine Bonnaire and Sandor Funtek
Venice Biennale Cinema 2018 Selection

L’enkas’ dark colours seem to be carefully composed for each frame by its cinematographer Yoan Cart to affect the viewers’ watching experience without them realizing it – the dark blue hues undoubtedly deepen the film’s narrative. (...) The great cinematography and editing successfully culminated in a visually impressive feature.
Maggie Gogler - View of the arts 

A picture with Yuki

Director: Luchezar Avramov
DoP: Torsten Lippstock

Award Audience at the SOFIA INTERNATIONAL FILM FESTIVAL 2019.

Inna de Yard - Fisherman

Tool: Resolve
Facility: AGM

The Announcement

Director: Mahmut Fazil Coskun
DoP:  Krum Rodriguez
Facility: Atlas
Tool: Da Vinci Resolve

Venice Horizons Award 2018: Special Jury Prize
Adana Film festival 2018: Best cinematography
Bosphorus Film Festival 2018: Best cinematography
International Bosphorus Film Festival 2018: Best cinematography
Malatya International Film Festival 2018: Best cinematography

There is so much to praise about the film, from the impressive production design by László Rajk – who has also done some immaculate period work on László Nemes’ Venice competition entry Sunset [+] – which gives the film a heightened noir quality, to the framing by cameraman Krum Rodriguez that peers through the doors of bread carts and is backed up by the use of third space.
Kaleem Aftab - Cineuropa